Our Impact Why We Exist
Our mandate is to bring dance to communities by making it accessible physically (our venue is a public space), financially (admission is pay what you can), and artistically (our programming is diverse). The festival sees the exchange between artist, audience and community grounded in mutual appreciation and support, without physical or perceived barriers, and as an essential part of everyday life.
Our Story What We Do
With a bold vision to bring dance into the lap of an urban community, dancer/choreographer Sylvie Bouchard created Dusk Dances in 1993, using the natural beauty and magic of Trinity-Bellwoods Park's ravine (Toronto) for a site-specific dance event. The event was part of the Fringe Festival of Independent Dance Artists (fFIDA) and united six local choreographers. Dusk Dances was successful beyond her expectations.
Two years later, Dusk Dances was presented again, with David Danzon joining the producing team. These two first productions were entirely self-produced, relying solely on the support of the local business community and the voluntary work of its producers and artists. After much support and encouragement from the communities surrounding the park, government funding agencies and artists alike, Bouchard and Danzon decided to make Dusk Dances an annual event. From 1997 to 2005, Dusk Dances was produced by CORPUS under the artistic direction of Bouchard and Danzon.
Dusk Dances received public funding from all levels of government for the first time in 1997. The event featured twelve choreographers, two programs and ran throughout fFIDA. Once again, it proved to be an artistic and public success. The following year, Dusk Dances separated from fFIDA, and expanded to two parks (adding Withrow Park). That year, Dusk Dances also toured a selection of past choreography to Ottawa, in a co-production with the Canada Dance Festival. In 2000 the festival expanded to a third park in Toronto (Dufferin Grove Park), went to Ottawa for the Canada Dance Festival and was co-produced with the Dancing on the Edge Festival in Vancouver. The festival kept growing in popularity, playing a significant role in increasing the visibility and accessibility of the art form.
2004 marked Dusk Dances’ 10th season. A retrospective programme of nine remounted pieces from past Dusk Dances programmes and one commissioned work, was presented in downtown Toronto. With the support of the Ontario Trillium Foundation and the Ontario Arts Council, Dusk Dances also toured to six regional centres around Ontario (Kingston, Chatham, Guelph, Deep River, Ottawa, Peterborough). In 2004, over 10,000 people attended Dusk Dances.
In 2005, Dusk Dances grew dramatically. Informed by lessons learned in taking the event into new communities, the festival became recognized as an undeniable force in audience development for dance, and as a catalyst for capacity building. The 2006 season marked the first of a three year project, funded by Ontario’s Trillium Foundation, the Ontario Arts Council and the Canada Council, in which Dusk Dances toured to five regional centres (Kingston, Mindemoya, Chatham, Haliburton and Deep River) and the Jane/Finch neighbourhood.
In 2008, David Danzon resigned as Co Artistic Director and Sylvie Bouchard was made Festival Director of Dusk Dances Inc. In 2009, Dusk Dances initiated an exciting new project: for the next four years (2009 to 2012), the festival worked closely with co-presenting partners and communities across the GTA, with an aim to build capacity in underserved GTA neighborhoods. In 2010, with the support of the Ontario Trillium Foundation, Dusk Dances’ licensing initiative began its pilot phase with events in Haliburton and Flesherton, allowing communities around the Province to license Dusk Dances’ model and format, and learn how to produce the event in their community.
In 2011, Ottawa was added as a licensee of Dusk Dances Inc., and in 2012, Peterborough, through Public Energy. The Dancing on the Edge Festival (DOTE) has continued to present Dusk Dances in Vancouver annually during their festival in early July. In 2012, 9,500 people saw Dusk Dances. In 2013, a Dusk Dances event on the grounds of Fort York (Toronto) was instigated, during their festival On Common Grounds; an event that will continue in 2014. Our latest licensees are Hamilton, who came on board for the 2014 season through HCA Dance Theatre (Hamilton Conservatory for the Arts Dance Theatre), and Théâtre Hector-Charland for the 2016 season, with performances at Le Centre d'art Diane-Dufresne in Repentigny (Québec).
As Dusk Dances grows, we continue to strive to find new ways to push the boundaries of the art form, to challenge choreographers artistically, and to make the event more visible and more popular.